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Notes from 2007

 

December 26:

Writer's At Work...

Haruki Murakami wrote South Of The Border West Of The Sun...
"When I'm in writing mode for a novel, I get up at 4:00 AM and work for five to six hours. In the afternoon, I run 10km or swim for 1500m (or do both), then I read a bit and listen to some music. I go to bed at 9:00 PM.
I keep to this routine everyday without variation."
 

December 21:

My Favorites Book's...


Arthur Miller wrote Death Of A Salesman...
A HIGH WIND IN JAMAICA
THE CASTLE
THE BROTHERS KARAMAZOV

 

December 19:

Writer's At Work...

Tom Stoppard's plays include Jumper's and Rosencrantz and Goldenstern Are Dead...
"The ideal is to make the groundwork so deep and solid that the actors are continually discovering new possibilities under the surface, so that the best performance turns out to be the last one."
from...Writers: Writers On The Art Of Writing...Photographs by Nancy Crampton (www.quantucklanepress.com )

December 12:

Joan Of Arc...

During World War II, the underground fighters of the French Resistance adopted the cross of Lorraine, Joan's emblem. as their symbol.

 

December 10:

Writer's At Work...

Alice Walker wrote The Color Purple...
"If you're silent for a long time, people just arrive in your mind."

 

 

December 7:

My Favorite Books...

Robert Creeley wrote ...For Love: Poems 1950-1960...
THE IDIOT
WOMEN IN LOVE
THE RAINBOW
PATERSON
IN THE AMERICAN GRAIN
DON QUIXOTE
THE MAXIMUS POEMS
THE OPENING OF THE FIELD
KADDISH
"A"
JUDE THE OBSCURE
PIERRE
JOURNEY TO THE END OF THE NIGHT
VICTORY
CHANCE
THE SECRET AGENT
FRANCE AND ENGLAND IN NORTH AMERICA
PIONEERS OF FRANCE IN THE NEW WORLD
ONE HUNDRED YEARS OF SOLITUDE
TRISTES TROPIQUES

December 5:

Writer's At Work...

Ann Rule wrote The Stranger Beside Me...
"When I'm in a writing mode (eight months of the year), I am at my computer at least six days a week from 10 a.m. to about 7:30 p.m., and I require ten pages a day--my personal commitment.

 

December 3:

Albert Einstein, rejecting the prinicipals of quantum mechanics, once said, God does not play dice with the universe." Stephen Hawking, referring to black holes, once said, "God not only plays dice. He sometimes throws them where they cannot be seen."
 

November 30:

Writer's At Work...

F. Scott Fitzgerald wrote The Great Gatsby...
"First you take a drink, then the drink takes a drink, then the drink takes you."

 

November 28:

Jim Agnew Goes To The Movies...

I have been collecting DVD's with the added bonus feature of the film's director doing a scene-by-scene narration of his film. The enjoyment is fantastic!!

Saturday Night Fever (John Badham)
Catch 22 (Mike Nichols)
The Guns Of Navarone (J. Lee Thompson)
The Train (John Frankenheimer)
The Exorcist (William Friedkin)

November 26:

Victor Hugo wrote The Hunchback Of Notre Dame in order to raise public awareness of Notre Dame's history at a time when the building was in danger of being razed.

November 23:

My Favorite Books...

Neil Simon is the Pulitzer Prize-winning playwright and the author of Rewrites, his memoir.
NORTHWEST PASSAGE
GREAT EXPECTATIONS
GEORGE S. KAUFMAN
ACT ONE
THE STRANGER
TOLSTOY
CITIZEN HEARST
ROGET"S THESAURUS

 

November 21:

Writer's At Work

Cynthia Ozick is the author of The Shawl and Trust...
"I am a literary obsessive," she says firmly. "I believe a writer can weave in and out of genres--do it all. It is a gluttonous point of view, to be sure. Then again, when it comes to writing, that is what I truly am and nothing less: a glutton."
 

November 19:

Wrtiers's At Work

Mary Higgins Clark is the author of You Belong To Me and Aspire To The Heavens...
"One of the many joys of writing is that everything is grist for the mill. When I plan a new novel, I press a mental 'search and retrieve' button and find in memory the people or the events that will help me tell the tale. The horror of my 3-year-old going briefly missing near a deep lake helped to trigger that first suspense novel, Where Are The Children?"

 

November 16:

My Favorite Books

William Styron won the Pulitzer Prize for The Confessions of Nat Turner...
LOOK HOMEWARD ANGEL

 

 

November 14:

My Favorite Books
Norman Mailer won 2 Pulitzer Prizes for The Armies of the Night & The Executioner's Song...
U.S.A.
STUDS LONIGAN
DAS KAPITAL
THE DECLINE OF THE WEST
ANNA KARENINA
LOOK HOMEWARD ANGEL
 

November 12:

My Favorite Books
The late Mario Puzo wrote The Godfather...
THE BROTHERS KARAMAZOV
THE HOUSE BY THE MEDLAR
THE THREE MUSKETEERS
DAVID COPPERFIELD

November 9:

My Favorite Books
Elmore Leonard is the author of 3:10 To Yuma...
FOR WHOM THE BELL TOLLS
HIGH WATER
MY LIFE ON THE MISSISSIPPI: OR WHY I AM NOT MARK TWAIN

 

November 7:

My Favorite Books
John Irving is the author of The World According To Garp...
GREAT EXPECTATIONS
THE TIN DRUM
CAT AND MOUSE
DEATH IN VENICE

November 5:

My Favorite Books

Pete Hamill is the author of A Drinking Life...
BOMBA, THE JUNGLE BOY AT THE GIANT CATARACT
THE COUNT OF MONTE CRISTO
EXILE'S RETURN
UNDERSTANDING FICTION
THE DEATH OF ARTEMIO CRUZ
EPITAPH OF A SMALL WINNER
THE PORTRAIT OF A LADY
THE COLLECTED POETRY OF WILLIAM BUTLER YEATS
THE COLLECTED STORIES OF WILLIAM TREVOR

 

November 2:

Writer's At Work
Frank Kafka
"A book is an axe for the frozen sea within."
 

October 31:

Writer's At Work
Cynthia Ozick
"Reading and writing are like getting born or dying, you are obliged to do it alone."

October 29:

Writer's At Work
Edmund Morris
"Find a good pen, get physical with words."

 

October 26:

Writer's At Work
Wendy Wasserstein
"Go to a far, secluded place; live in pajamas."
 

October 22:

Jim Agnew At The Movies
I can recommend two DVD's...both directed by Wim Wenders. Mr. Wenders does the complete film narrations as bonus extras and what a bonus they are. While he had trouble financing Don't Come Knocking he shot Land Of Plenty and then got the financing for Don't Come Knocking and then shot that one.
Please watch both films in sequence for a real cinema treat!!!

 

October 19:

Writer's At Work
Richard Ben Cramer is the author of Joe Dimaggio and Ted Williams
"While working on the book, I had every stress-related illness that can be listed in a medical textbook. Along the way I had a heart attack, liver cancer, and phlebitis. My back was so bad at one time that I had to work lying down."
 

October 17:

Writer's At Work
W. Somerset Maugham is the author of Of Human Bondage and The Razor's Edge
"One great difference between the persons of real life and the persons of fiction is that the persons of real life are creatures of impulse...I think what has chiefly struck me in human beings is their lack of consistencey."
 

October 15:

Writer's At Work
Truman Capote is the author of In Cold Blood and Breakfast At Tiffany's.
"Essentially I think of myself as a stylist, and stylists can become notoriously obsessed with the placing of a comma, the weight of a semicolon. Obsession of this sort, and the time I take over them, irritate me beyond endurance."

 

October 12:

Writer's At Work...
Anthony Burgess wrote A Clockwork Orange
"The anxiety involved (in writing) is intolerable. And...the financial rewards just don't make up for the expenditure of energy, the damage to health caused by stimulants and narcotics, the fear that one's work isn't good enough. I think, if I had enough money, Id give up writing tomorrow."

 

October 10:

Writer's At Work...
E.L. Doctorow is the author of Ragtime.

"I don't think anything I've written has been under six or eight drafts."
 

October 5:

Writer's At Work...
William Styron wrote the classic...Sophie's Choice.
"I get a fine warm feeling when I's doing well, but that pleasure is pretty much neglected by the pain of getting started each day. Let's face it, writing is hell."

October 3:

Writer's At Work
Tom Wolfe wrote the classics...Bonfires of the Vanities and The Electric Kool-Aid Acid Test.
"I do find writing a very painful process--I never understand writers who say its enjoyable. I think it's the hardest work in the world."

 

October 1:

Writer's At Work
Ayn Rand wrote the classics...The Fountainhead and Atlas Shrugged...
"When I'm writing. I'm living in the world of the novel, not "ordinary reality," and there's always that sense of shock when I come back to the world at the end, when the job is finished."
 

September 28:

Jim Agnew On Crime
Today, in a San Francisco Alley on Burritt Street, set into a building at the corner of Burritt and Bush, is a bronze plaque. Its words are simple and direct: On Approximately This Spot Miles Archer, Partner Of Sam Spade,
Was Done In By Brigid O'Shaughnessy
from...Hammett: A Life at The Edge by William F. Nolan (Congdon & Weed).

 

September 26:

Writers At Work
Raymond Chandler is the author of The Big Sleep, Farewell, My Lovely & The Long Goodbye and the screenplays of Double Indemnity (with Billy Wilder) & Strangers On A Train (with Alfred Hitchcock).

"The sense of doing something well that may not be worth doing at all never left him. The same classical education that helped him write clean, economical sentences made him painfully ambivalent toward the form that summoned him. He regarded writing detective fiction as an architect might feel toward designing useless, elaborate boxes. On the other hand, Chandler also felt that his boxes had to be rendered perfectly. He analyzed, imitated, and revised repeatedly, teaching himself to write pulp stories, as MacShane notes, 'in the same spirit as translating Cicero into English and then back into Latin' - which is just what he had done at Dulwich."

from...The Half-Life Of An American Essayist by Arthur Krystal..Chapter 9... No Failure Like Success: The Life Of Raymond Chandler (David R. Godine)

 

September 24:

Jim Agnew At The Movies...
DVD's, with the all the extras, has let me re-visit classic performances. The following roles are truly memorable...
Karen Lee Gorney as Stephanie Mangano in "Saturday Night Fever".
Paul Shenar as Alijandro Sosa in "Scarface".
Leslie Banks as Count Zaroff in "The Most Dangerous Game."

 

September 21:

It's fun discovering who famous characters in fiction really were in real life....
In Washington, D.C., he once shadowed a subject he described as a "boring fat man thought to be a German secret agent." Hammett used him as the model for Casper Gutman, the rotund villain in "The Maltese Falcon".
from...Hammett: A Life At The Edge by William F. Nolan (Congdon & Weed)
 

September 12:

Performing Artists At Work
Placido Domingo has become, over the last thirty years, the world's best Wagner tenor.
"Among the more than one hundred different roles I've sung, there have been some that call for tears. Only on very rare occasions did the raw emotions get the better of my performing technique and I succumbed to the raw emotion of shedding that actual tear
However, there is one role, namely Siegmund in 'Die Walkure', that occupies a very special place in my performing experience. Every time I lie dying in Act II, tears swell up in me that I cannot suppress, because I realize that my death was caused at the instigation of my own father, the God Wotan. The reason for this overpowering emotion is the combined genius of Wagner as a librettist and composer. I would call this my personal Wagner Moment.
from...Wagner Moments: A Celebration Of Favorite Wagner Experiences...edited & annotated by J. K. Holman (Amadeus Press/Hal Leonard)

 

September 10:

Writers At Work...
Harry Crews has a great following including Sean Penn & Francis Ford Coppola.
CREWS...so I said, "Good Lord, let me see what kind of shape I can get into one more time before I die," so my normal routine is I get up at 4:00 and start to work, and work until 8:30, when my gyn opens. And then I go to the gym. Whatever isn't written between 4:00 and 8:30 doesn't get written. And then I come back and do all those things you have to do around the house and then revise. Whatever I wrote in the morning doesn't look like it did.

You know, when the thing is put together in four or five hundred pages, it ought to mean something, it ought to be memorable, it ought to feel inevitable. The reason the stuff happens in the book the way it does is because it couldn't happen any other way. It ought to have that feeling. And it ought to hurt your heart. It ought to crush your heart with a living memory. And then you do remember it.

from...Perspectives On Harry Crews...edited by Erik Bledsoe...(University Press of Mississippi)
 

September 7:

My favorite album is Sinatra At The Sands with Count Basie & The Orchestra...Arranged & Conducted By Quincy Jones. FS has on his tombstone "The Best Is Yet To Come" and  that week in Las Vegas came pretty close!
"When and where were you happiest?
Conducting and arranging for Frank Sinatra and Count Basie's band at the age of 31."
Quincy Jones...The Proust Questionnaire...Vanity Fair...July 2007

September 5:

Vincent Bugliosi taught me about scholarship and preparation...the following quote adds to that dimension...
"A long time ago a friend taught me to study by memorizing this old verse by Rudyard Kipling:
'I keep six honest serving men
They taught me all I know;
Their names are what and where
And when and how; and why and who'
My friend explained that everything I had to study could be learned by using those six questions."
from...8 Steps To Living: How To Think Differently, Know You Are Loved, And Change Your Life by Frank Freed, Ph.D. (GuidepostsBooks)
 

September 4:

Morals of a Muckraker
Dan Moldea Tracks Down Peccadilloes of the Powerful Like the News Hound He Is. He Says It's on Principle.

By Howard Kurtz
Washington Post Staff Writer
Wednesday, August 8, 2007; Page C01


Dan Moldea has been beaten up by thugs, trashed in the press, accused of chilling free speech and threatened with prosecution.

And yet after an improbable, colorful career in journalism, he remains a historical footnote for one cameo role: as a sex investigator for Larry Flynt a decade ago.

Moldea and Larry Flynt in '99. When Flynt asked him to dig into politicos' sex lives, Moldea wrote: "I will receive more bad press than I have ever received before." (By Liz Flynt)

So when Flynt, the publisher of Hustler, recently asked him to resume his digging into the extramarital exploits of politicians, Moldea had misgivings.

"Please understand that if we work together again . . . I am going to be tracked and harassed," he wrote in a June 9 memo to Flynt. "I'm going to be judged harshly by my friends and colleagues for reentering this world with you in what will be viewed as the mother lode of checkbook journalism. In addition, I will receive more bad press than I have ever received before."

Once again, Moldea is chasing tips from people hoping to score a million-dollar reward proffered by Flynt in a full-page Washington Post ad. Once again, Moldea is justifying his role as holding accountable those who preach moral values but act differently in their private lives.

One month after rekindling their partnership, Moldea learned that Sen. David Vitter's number had been found in the phone records of the escort service run by the alleged D.C. Madam, Deborah Jeane Palfrey. This was no coincidence, as Moldea had just agreed to write a book with Palfrey. He promptly leaked the Vitter calls to Time. And when the Louisiana Republican preempted the magazine by apologizing for having sinned, Moldea made sure Flynt got credit by leaking word of his role to ABC News.

"I don't want to look like I'm boasting about this," says Moldea. "I just think it's in bad taste, which is an ironic term to use." He refused to be photographed for this article.

"I'm not doing these things for money. I'm not doing these things because I'm going to get great publicity. I'm doing these things on principle, out of conscience."

Palfrey, who is under indictment on prostitution-related charges, considers him an ideal partner. "I didn't want a writer of sensational Hollywood works," she says. "I really need a hard-core investigative journalist here. I thought, this is the man to do it. He's a good and decent man, and very upfront and straightforward."

Moldea has hit plenty of bumps on the career road. "He's had some down times," says author Laurence Leamer, a longtime friend. "So many projects he's worked on haven't worked out. Nothing stops the guy."

A balding, bespectacled man with large, meaty hands, Moldea, 57, is rumpled but supremely organized. During a chat at Morty's deli on Wisconsin Avenue -- where he also joins a weekly poker game and threw a dinner for Palfrey -- he offers transcripts, clippings, an affidavit and other material, all neatly arranged in file folders.

The Akron, Ohio, native has led a Zelig-like existence, popping up on the periphery of history as he careened from writing about Jimmy Hoffa to Robert Kennedy, from O.J. Simpson to Vince Foster to Ken Starr.
 

"I've got two Republicans I've thrown back in the water because, to me, they haven't shown any hypocrisy," he says, explaining that they are current members of Congress who he believes have sexually strayed.

Moldea began his career in the 1970s as a freelance writer specializing in organized crime. Once, he says, a crooked Teamsters official rammed a gun down his throat, causing him to spit blood and parts of teeth. Another time, he says, labor goons in Chicago beat him up and "I thought they had left me for dead." A friendly Teamster told Moldea that a $1,500 contract had been put out on his life, warning in a conversation that the reporter taped: "I'm just telling you! You better watch your goddamn step, or you're going to get yourself killed!"

Moldea and Larry Flynt in '99. When Flynt asked him to dig into politicos' sex lives, Moldea wrote: "I will receive more bad press than I have ever received before." (By Liz Flynt)

"I was more humiliated by the price," Moldea says. His solution: leave Ohio for Washington.

He made national news in 1990, when he sued the New York Times over a negative review of his book "Interference: How Organized Crime Influences Professional Football," which a Times sportswriter dismissed for its "sloppy journalism." Detractors said the suit could promote censorship. Moldea argued that the review was inaccurate and had torpedoed his career, but the Supreme Court declined to hear his appeal after the trial judge threw out the case.

Moldea managed to return to publishing. He wrote a book on the RFK assassination that, despite his earlier suspicions, concluded Sirhan Sirhan acted alone. He wrote a book with two Los Angeles detectives who had investigated the Simpson case. That led to an invitation from conservative publisher Alfred Regnery to write a book on Foster, the Clinton White House aide whose body was found in a Virginia park.

After securing a $100,000 contract, Moldea concluded that Foster's death was, as authorities maintained, a suicide. "Instead of the Clintons being involved in a grand conspiracy to take out Vince Foster, this was really a conspiracy by a bunch of right-wing journalists to make it look that way," Moldea says.

He says the publishing company was unenthusiastic about his findings. Regnery, however, says he just wanted "an honest book. There were some people in the office who weren't pleased. They wanted to show that Hillary had murdered him or something." He describes Moldea as "a little prickly, but that's okay."

Moldea had called the office of special prosecutor Starr -- who had investigated Foster's death -- and spoke by phone with Starr's deputy, Jackie Bennett, and another official. Moldea admits, somewhat sheepishly, that he recorded them without their knowledge.

Initially, he says, "I didn't want the tapes to come out because I knew I'm going to get my head chopped off" for taping without permission. But he says he was "disturbed" by his conclusion that Starr's prosecutors would leak to him if they thought he was a friendly reporter.

"An absolute lie, and you can quote me," Bennett says in response. "That was invented."

Moldea asked to speak to Starr, and Bennett told him, according to the transcript, that if he was looking for "substantive information . . . then there are other people who really are better to talk to." Bennett says he was just trying to accommodate a journalist's request.

Several months later -- after the Monica Lewinsky scandal broke -- Moldea went public with his tape. Moldea might have been seeking confidential information himself, but now, in light of the attacks on Clinton, he accused the Starr team of improper leaking.
 

"I remember being agitated at the time," Bennett says. "It was a dishonest thing to do. . . . He misled us."

Moldea's move caught the attention of attorneys for President Clinton, who was battling the Republican effort to impeach him, and the reporter submitted an affidavit detailing his allegations.


Moldea and Larry Flynt in '99. When Flynt asked him to dig into politicos' sex lives, Moldea wrote: "I will receive more bad press than I have ever received before." (By Liz Flynt)

In late 1998, Moldea says, a private detective put him in touch with Flynt, who asked him to investigate whether Clinton's opponents had also engaged in sexual dalliances. "It took me about five seconds to say yes," Moldea says. He was angry about the effort to drive Clinton from office, and signed on for $125 an hour.

Moldea soon learned that Bob Livingston, a Republican congressman from Louisiana who was on the verge of becoming House speaker, had engaged in extramarital affairs. Livingston promptly resigned, and Flynt decided not to release the details. He gave Moldea a $35,000 bonus for the discovery.

Moldea also says he discovered that the outgoing speaker, Newt Gingrich, was having an affair with a House aide who is now his third wife. But, he says, Flynt decided not to out Gingrich because he had already quit.

At the time, Moldea told this reporter that "some Republicans on Capitol Hill should be sending us flowers and thank-you cards. They weren't going on TV talk shows shooting off their mouths [about Clinton], or going to the floor of Congress to seize the moral high ground. We've thrown them back in the river."

Conservative critics interpreted that as a veiled threat by Moldea to expose only Republican philanderers who criticized Clinton. A Wall Street Journal editorial, titled "Abetting Blackmail," said: "One Dan Moldea has appeared from almost nowhere to volunteer as the source of Mr. Flynt's dirt." The piece questioned whether Moldea was "being aided and abetted by agents of the president," which he denied.

The conservative Landmark Legal Foundation asked the Justice Department to investigate, saying that Moldea "appears to have been endeavoring to influence and impede these congressional proceedings" against Clinton.

Moldea fervently believes he played a role in the Senate's subsequent acquittal of Clinton, although it never appeared there were enough Democratic votes to oust the president. "There was a right-wing attempt to overthrow the executive branch of government, and I thought I could be sacrificed," Moldea says. "This was important enough for me to risk being destroyed."

But there was a plus side for Moldea. "He loves getting attention," Leamer says. "He loves seeing his name. He really gets off on that."

Once the dust settled, Moldea fell on hard times. He turned to consulting, mainly for liberal public-interest groups, to make ends meet. Moldea has not won a book contract since the late 1990s. "Some people have hit a wall with me where they just feel I'm trouble," he says.

In March, after the D.C. Madam story broke, Moldea says he thought that "maybe I could get back in the game again." He had lunch with Palfrey and they signed a contract to collaborate on a book about her life and her battle against prostitution-related charges. No publisher has been found yet.
"The idea behind this is, I'm desperately strapped for cash," says Palfrey, noting that she has made $3,250 since October. "I'm also doing a book because I need to get the truth out."

Moldea, who had started doing some minor consulting for Flynt, tried to put him together with Palfrey so they could join forces in hunting for sexual hypocrites. When that fell apart, Moldea quit the Hustler operation. But he tried again in the June memo.

Moldea and Larry Flynt in '99. When Flynt asked him to dig into politicos' sex lives, Moldea wrote: "I will receive more bad press than I have ever received before." (By Liz Flynt)

"Unfortunately, when I came to you with Jeane Palfrey, you blew her off," Moldea wrote. "With respect, I believe that was a mistake. . . . You and Jeane can make history."

After a lunch at the Ritz-Carlton, Moldea and Flynt were back in business, with the reporter charging $175 an hour. Flynt offered another million-dollar reward for information about the sexual high jinks of public officials. And when Flynt mentioned in an MSNBC interview who was heading the investigation, he dragged Moldea out of the shadows.

"What are you doing? You just put a target on my back," Moldea recalls telling him.

In early July, after a federal judge lifted a restraining order on the release of Palfrey's phone records, her lawyer gave Moldea a 48-hour jump before other reporters got access to the material. When Moldea found Vitter's number, he called Flynt. Moldea quickly produced a memo on the senator's history of championing moral values and the sanctity of marriage.

Now Moldea is knee-deep in sexual allegations, and with Clinton's wife seeking the presidency, Moldea is again warning darkly of conspiracies.

"I have it on very, very good authority that major opposition research has already been conducted on Bill Clinton, and it's going to be a massive smear campaign against him," he says. A group of former intelligence officers, he says, is "going to try to cripple Hillary through Bill."

Dan Moldea, in short, is facing the world alone -- except for his longtime girlfriend, an elementary school teacher -- and that, it seems, is the way he likes it.

"I have been out there battling by myself," he says. "It hasn't been pretty, that's for sure."

 

August 29:

I'm going to print selections from Roger Ebert's obits on Michangelo Antonioni & Ingmar Bergman, both of whom passed away in late July, 2007. But first a liitle background on Roger and me...

I met Roger Ebert in O'Rourke's Pub, in Chicago's Old Town, in late, 1967. Roger was recently named film critic of the Chicago Sun-Times, replacing Eleanor Keen. This bold move was orchestrated by the late, Bob Zonka, then features editor.

I recognized Roger from his photo in the paper and gradually started asking him movie-triivia questions. He befriended me and began asking me to join him and his friends. One of them was Jay Robert Nash, who I went on to research his books for most of the 1970's.

Roger got me my first full-time job at the Clark Theatre, America's last 24-hour grind house.

Roger is still the film critic of the Sun-Times and the following samples show the quality of his great career...

On Antonioni..."I depart from the script constantly. I may film scenes I had no intention of filming; things suggest themselves on location, and we improvise. I try not to think about it too much. Then, in the cutting room, I take the film and start to put it together, and only then do I begin to get an idea of what it is about."

On Bergman... "In 1975, I visited the Bergman set for "Face to Face." He took a break and invited me to his "cell" in Film House: a small, narrow room, filled with an army cot, a desk, two chairs, and on the desk, an apple and a bar of chocolate. He said he'd been watching an interview with Antonioni the night before: I could not take my attention away from his face. For me, the human face is the most important subject of the cinema."

from The Chicago Sun-Times...July 31 & August 1, 2007.

 

August 27:

Writers At Work
John Updike has won 2 Pulitzer Prizes.
"James Joyce, who wrote everything by hand and had typists at his beck and call, which many of us don't have, had a Jesuit-trained handwriting which was pretty legible. If you look at Joyce's proofs you can read them, unlike, say, Prousts. Joyce said he liked to feel everything flow through his wrist. So, yes, there is something to be said for writing by hand, but it leaves you with a lot of handwriting which is hard for even you to decipher."

     from...Updike In Cincinnati: A Literary Performance...edited by James Schiff (Ohio University Press)
 

August 22:

Writers At Work...
Ernest Hemingway...
Hemingway's prose, when successful, makes the reader think that he has experienced what is depicted. The best writers transport the readers, as Hemingway said in Green Hills Of Africa: "For we have been there in the books and out of the books--and where we go, if we are any good, there you can go as we have been."

from...The Lousy Racket: Hemingway, Scribners, And The Business Of Literature by Robert W. Trogdon (The Kent State University Press)

 

August 20:

Writers At Work...
Norman Mailer has won 2 Pulitizer Prizes and The National Book Award.
"A book takes on its own life in the writing. It has its own laws, it becomes a creature to you after a while. One feels a bit like a master who's got a fine animal. Very often I'll feel a certain shame for what I've done with a novel. I won't say it's the novel that's bad. Almost as if the novel did not really belong to me, as if it was something raised by me like a child. I know what's potentially beautiful in my novel, you see, Very often after I've done the novel I realize that that beauty which I recognize in it is not going to be recognized by the reader. I didn't succeed in bringing it out. It's very odd--it's as though I had let the novel down, owed it a duty which I didn't fulfill."

from On Caring by Milton Mayeroff (Perennial Library/Harper & Row)

August 15:

The religious beliefs of our presidents is strong...here's an example...
"Trust in the Lord with all thine heart; and lean not unto thine own understanding. In all they ways acknowledge him, and he shall direct thy path." It was the same verses he had thought of as he clung to the side of an aircraft carrier in a December 1944 typhoon in the pacific. And it was the passage he and Betty (Ford) cited in their prayers the night before he became president."

from...The Preacher And The Presidents: Billy Graham In The White House by Nancy Gibbs and Michael Duffy (Center Street/Harper Collins)

 

August 10:

Writers At Work
Ernest Hemingway won the Pulitzer Prize in 1953 and the Nobel Prize For Literature in 1954.

On 21 April, Hemingway finally wrote Perkins,

How about this for a title, For Whom The Bell Tolls. A Novel By Ernest Hemingway

He also included in the letter the source of the title, "Meditation XVII" by John Donne, which Hemingway had found in The Oxford Book Of English Prose.
from...The Lousy Racket: Hemingway, Scribners, And The Business Of Literature by Robert W. Trogdon (The Kent State University Press)

 

August 8:

My favorite movie is "Blow Up". The following is from the short story which Antonioni based his film.

"One of the many ways of contesting level-zero, and one of the best, is to take photographs, an activity in which one should start becoming adept very early in life, teach it to children since it requires discipline, aesthetic education, a good eye and steady fingers. I'm not talking about waylaying the lie like any old reporter, snapping the stupid silhouette of the VIP leaving number 10 Downing Street, but in all ways when one is walking about with a camera, one has almost a duty to be attentive, to not lose that abrupt and happy rebound of sun's rays off an old stone, or the pigtails-flying run of a small girl going home with a loaf of bread or a bottle of milk."

from...Blow-Up And Other Stories by Julio Cortazar (Pantheon Modern Writers)

August 7:

Writers At Work

Mary Lee Settle is the recipient of The National Book Award for her novel Blood Tie.
"I began to write poetry. One of the questions most often asked of me is, 'When did you know you wanted to be a writer?'
My answer has always been, 'I never did.' You don't "want"to be a writer. You are conscripted. Wanting to be a writer can mean only the so-called literary life, the recognition. For me, writing is the same every morning, the room alone, the white paper, the timeless pitch of concentration. When I finish as much as I can do, I am sick with exhaustion, and I spend much of the rest of the day preparing to go the next morning to the place in my mind where I work as one goes home. It is not enough to lie down and rest. Physical work is my saving grace when I finish the day's writing. In many a garden in several countries, I have planted, watered, and weeded on that fatigue. My son has had to share with this time as he would have shared it with a brother or sister."

from...Learning To Fly...A Writer's Memoir by Mary Lee Settle...edited by Anne Hobson Freeman(W.W. Norton & Company)

July 30:

I am always curious about the writing habits of esteemed authors...so I'm starting my "Writer's At Work" series...Enjoy!!!
Winston S. Churchill won the Nobel Prize for Literature (he was hoping for the Peace Prize!)
Bill Deakin later recalled the pattern of work as the writing of the memoirs proceeded:

"He would stay in bed until just before lunch. He would give me something to do--correcting proofs. He would then dictate his mail to one of the girls. At about eleven he would summon me, and again give me things to do. He would have a bath, get dressed. I would sit at his desk. Then we would go down to lunch.
After lunch he would go for a walk. He would count the swans, count the fish in the lake. Then a nap. Waking at about five he would play bezique with Clementine. I would make myself scarce, I'd go and work in my room.
Between 6:30 and 7 he would sign his correspondence. I'd be in the room. Then we would talk about whatever he was working on. He would read whatever paper he had asked me to write, almost without comment. Then we would change for dinner.
He spent quite a long time at dinner. He really loved that. He would hold forth. One didn't realize it was sometimes a monologue, one was so caught up in it, one felt so much a part of it. He didn't start work again until about eleven. He and I would go upstairs. We would work until 2, or even 3. He would pick up on what he had read before dinner; then he would start dictating. He wouldn't look again at what I had written. It was in his head."

As work on the memoirs proceeded night after night, Deakin was struck by what he called "this enormous power of living for the moment, the most intense concentration I have ever known."

from...Winston S. Churchill by Martin Gilbert...Volume VIII 'Never Despair' 1945-1965 (Houghton Mifflin Company Boston 1988)

July 20:

   Jim Agnew On Crime...

In the on-going Chicago mafia trial, I was glad to see that one newsman has a grasp of Chicago history...

"Daley isn't the first mayor to know guys who know guys. What Calabrese's testimony shows--except to those who have eyes but don't see--is that the connections between organized crime and their servants in the police and politics is a Chicago thing. It didn't end when Paul 'The Waiter' Ricca allowed Hollywood to spin the Outfit bedtime story that Capone was the boss around here, not Ricca."

John Kass...Chicago Tribune...July 19. 2007. (jskass@tribune.com)

July 17:

Jim Agnew On Crime
Cullotta--The Life Of A Chicago Criminal,  Las Vegas Mobster and Government Witness (Huntington Press Publishing)
This is the best book written on the Chicago crime syndicate and I've read them all. Virgil Petersen summed up the Chicago crime syndicate in the title of his 1950's book..."Barbarians In Our Midst".
It's the best book because its all first person, gloves off and very rough.
Frank Cullotta was a very active...bomber, killer, master burglar, fence, and criminal confidant to the mob lords of Chicago and Las Vegas. He describes these roles and capers has they happenned with lots of play-by-play details.
Cullotta also describes real prison life and the Witness Protection Program...up close and personal.
I read Cullotta in one afternoon and so will any true-crime fan. Its just a real-good read about very dangerous professional criminals.
 

July 14:

Jim,
Attached is NEW BOOK press release that went out last week for -
My boss was the BTK killer...I was the next victim.
Formal release date was today, July 10th.
Mary Capps has 23 media bookings this week, including three national radio shows and an appearance on Nancy Grace, CNN Headline News this Friday, July 13th.
Our marketing web site is
www.btkdogcatcher.com (Dennis Rader, BTK, hated to be called "dogcatcher.")
Book is also available at www.marjimbooks.com and at www.amazon.com
The review copy you requested shipped early this evening. You should receive on
Thurs. or Fri.
Thanks for your interest in My boss was the BTK killer...I was the next victim.
Jim Dobkins
UCS PRESS (an imprint of MarJim Books, Inc.)
PS - There's a good article that posted last Thurs. on the Internet at
www.arkvalleynews.com
Press Release Source: Jim Dobkins
New Book Release: “My boss was the BTK killer…I was the next victim”

Mary Capps survived Dennis Rader, the BTK serial killer, and now she’s telling her side of the story

PHOENIX, AZ June 29 – Mary Capps worked 6-and-1/2 years as a Park City, Kansas Compliance Officer under the supervision of Dennis Rader, later exposed as the notorious BTK (Bind Torture Kill) serial killer. The mental agony of finding out the deep and dark secrets that had been so closely guarded by her boss, plus learning that she was BTK’s intended 11th murder victim, plunged her into deep depression and Post Traumatic Stress Syndrome.
She went into hiding, rarely venturing out into public places. But there was one thing she could not escape -- the horrible nightmares. She experienced her own Nightmare on Elm Street – nightly needing to sleep, wanting, to sleep, but afraid of going to sleep because she knew what awaited her.
Capps reveals many things about Dennis Rader not previously made public, including the time her aunt and another Park City employee saved his life; how he terrorized her on the job; how he might have been poisoning her; and documents why she believes she was Project Broadwater – Dennis Rader’s intended eleventh murder victim.
She also reveals why Park City Management unfailingly sided with her serial killer supervisor instead of her when she filed grievances about her boss’ erratic, intimidating behavior towards her. She interweaves the despicable acts of BTK with events happening simultaneously in her life; from little girl daydreams to tormenting nightmares.
In her book, Capps provides unique insight into the man and the monster before his exposure as BTK. She talks about the physical symptoms she experienced many times during the afternoons . . . after feeling fine when she went to work -- the leg cramps, the sudden trouble breathing, the unexpected loss of memory -- all symptoms like those caused by a certain illegal date rape drug.
Was her boss poisoning her? Capps gives two plausible ways he could have done so. Was it a miracle when all of the symptoms cleared up immediately after her last day of working with him? Mary does not think so.
Dennis Rader hated to be called “dogcatcher,” which is exactly why the publisher registered the domain name www.btkdogcatcher.com for the book’s Internet marketing web site. It might not be much, but it allows Mary Capps to get in a little dig at her ex-boss, the man who confessed to ten murders over a 17-year span, 1974 to 1991.

Jim Dobkins co-authored this book and other crime books
Published by UCS PRESS, an imprint of MarJim Books, Inc.
ISBN: 0-943247-09-8
EAN13: 9780943247090

Orders Contact:
ordering@marjimbooks.com
Phone: 602-841-4911
Marketing web site: www.btkdogcatcher.com
Media contact:
Jim Dobkins
Phone: 602-841-4911
E-mail: publisher@marjimbooks.com
Web address: www.marjimbooks.com

July 11:

Thanks again for your info on Vince you sent me awhile back- I ended up going to Boston to see Vince on his book tour at the Brattle Theater. It was great, although some conspiracy wacko started to heckle Vince about 5 minutes into the talk, calling Vince a 'LIAR'- it was very rude and childish- but Vince kept his composure, and it was an interesting night. He took the Theater managers to task for giving him a podium on wheels, that kept moving around when he leaned on it ! I have enclosed a picture of myself with Vince from that night- I waited a LONG time for this book, and you can see I am one happy customer! Thanks again, Doug

If you see Vince, or can e-mail him, get him a copy of the picture, and tell him to put it on his 'Reclaiming History' website......
 

July 6:

Dear Reader,

It's morning, and I'm looking up at the bulletin board above my desk, at the scraps and bits that make up my life. There's a note from editor extraordinaire, Rebecca Sherman, another from the talented Robert Fanning, and another from my old friend, Abraham Smith, a poet whose new book is coming out soon. In the upper right-hand corner, there's a drawing I bought from an artist I met on the street in Dallas some years ago, entitled, "Vacation Bible School," and a list of vocabulary words written in black marker. Of course, there are poems dotting the cork landscape, too. Finally, in the upper left-hand corner, I find a quote from Ed Weiler, Goddard Space Flight Center Director, NASA, that reads: "Mars has been a most daunting destination. Some, including myself, have called it the 'death planet.' Why do we say that? Two-thirds of all missions that have flow to Mars. . .have failed. Just getting to Mars is hard, but landing is even more so."

I like the quote because it reminds me that however difficult this business of writing may sometimes seem, reaching one's goals is not impossible. I like it because it reminds me that my failures are teaching me something. I like it because it makes me want to believe that while it may appear as though I'm hurtling into the unknown without much evidence that the outcome will be a positive one, there is a destination that will yield sweet surprises if I can just remain focused, if I can surround myself with people (Houston, do you read me?) who will help repair the engine that sometimes threatens to go out. I like it because it reminds me that while folks may want to label you as one thing---the "death planet," let's say---it doesn't mean that they're right, or that the label fits. It doesn't mean that there isn't fire beneath the hood, or water raging beneath the crater that once held a river. . . (To read the rest of this letter, click here.)

Performances: I'm pleased as a petunia to be the featured reader alongside Chicago poet Jaqueline Wolk on July 16, 2007 at Jaks Tap near the Blue Line Halsted stop.

Jaks Tap
901 W. Jackson Blvd.
Chicago, IL 60035
(312) 666- 1700

7:30 PM - 10:00 PM

In Print: Look for my poems "Little Ugly" and "You, Everywhere" in the upcoming July/August issue of empowerment4women.

When I'm writing creatively---that is, when I'm writing poetry or a period piece, or for an eccentric character, I will often refer to old dictionaries. I'm awed by the peculiar definitions... They give me a real sense of time. Occassionally, they give me a good chuckle, too. For instance, in the dictionary pictured to the left, The Consolidated-Webster Comprehensive Encyclopedic Dictionary, A Library of Essential Knowledge, published in 1953, a certain word that is normally associated with female reproduction is defined in such a way as to make one think of one's plumber before thinking of, say, one's mother.

I would encourage anyone to take some time on a lazy Sunday afternoon to go through their closet or bookshelf (or parent's or grandparent's closet or bookshelf), and seek out those old dictionaries and other old reference materials. But hunters, beware: Friends and family members tire quickly of listening to antiquated definitions when they're uploading videos to their laptops or trying to listen to their iPODs.

I was barely in college when I first discovered Marge Piercy and her incredible body of work. I'd recommend any of her books of poetry, but my favorites are The Moon is Always Female and Circles on the Water.

Piercy is also the co- author of So You Want to Write, which contains a great deal of helpful information, particularly for beginning or aspiring writers. An excerpt is below.

If you're serious about your writing, that is, if you genuinely enjoy writing and are not doing it purely to get rich and famous, you'll forget about the book that did not sell and write another. And if necessary, another. With each book you'll become a better writer and you may come back to that book some day with more insight and skill. You may bastardize parts of it for other novels. If you happen to succeed with another book, you may even sell it later, once you have a reputation. You'd be surprised how many writers' second books were actually their first. You have to look at your first book as apprentice work no matter what the disappointment of not seeing it get published. Like any professional, you have to view those first few years of writing as time put in to learn your craft. It is disappointing, for some writers even heartbreaking, to give up on a project that has taken up two years of your life, but you wouldn't expect to be a doctor or a lawyer after your first two years college. Why underestimate the apprenticeship of a writer?


Thank you for reading my July newsletter. If you find yourself in Chicago on July 16th, drop by Jaks Tap!

Until next time, butter beans and broken dishes,
Bronmin Shumway
Bronmin.com

June 27:

Dear Jim,
I am thrilled to announce that Code Black, the highly anticipated sequel to my first novel, Category Five,is finally being released. After the sudden bankruptcy of my publisher and the lengthy legal maneuvers that followed, this is nothing short of a miracle. I am contacting the select few reviewers that initially received ARCs and trying to pick up where I left off.

Code Black will be a hardcover release this September, in fact, it is the first book being published from the defunct ibooks catalog. I hope you remember this title and that Code Black will find it's way to the top of the stack. Thank you in advance for your time and patience. For further information or materials please don't hesitate to contact me.

Sincerely,
Philip Donlay
email: phil@philipdonlay.com

May 22:


Bugliosi[1].jpgFrom: www.crimerant.com
CrimeRant-exclusive.gifNo one has ever distilled the John F. Kennedy assassination down to what former Charles Manson “super” prosecutor Vincent Bugliosi—author of HELTER SKELTER, OUTRAGE, AND THE SEA WILL TELL, among others—has done in his new 1612-page (plus an additional 958 pages of Endnotes and 170 pages of Source Notes on an accompanying CD-ROM) magnum opus, RECLAIMING HISTORY: The Assassination of President John F. Kennedy, which was just published by W.W. Norton & Company.

Bugliosi told me recently that the Kennedy assassination is, put simply, “a murder case.” One man murdered the president of the United States. No CIA/Mafia conspiracy. No harebrain theory of an additional shooter hiding somewhere in the grassy knoll. One man. One lunatic: Lee Harvey Oswald, who, acting alone, put a bullet in the president’s head and, in turn, changed the world.

Talking to Bugliosi about the JFK assassination, you get the sense he is speaking from experience and authority when he says Oswald acted alone. After all, he spent 21 years with the material, researching RECLAIMING HISTORY, eight of which he sat in his office seven days a week, between 12 to 14 hours a day, working on the narrative alone, writing page after page by hand on legal pads, then dictating those pages into a tape recorder so his secretary could type them into double-spaced manuscript pages and send them back to him and he could insert additional pages of new research and begin the rewriting process over again.

One might ask, as I did, “Why the heft?” Why publish well over 1.5 million words to correct the record in a 44-year-old murder case?

“There are two realities,” Bugliosi told me, “one of which is that this is a very, very simple case. Virtually everyone in law enforcement in Dallas knew that Oswald had killed Kennedy and that it appeared he acted alone. … That reality has never changed. But there’s a second reality here. And it’s funny, isn’t it, that you’d have two such contradictory realities about the same event,” adding, “Because of the obsessive fanaticism of literally thousands of assassination researchers, conspiracy theorists and Warren Commission critics, putting this case under a microscope and making hundreds upon hundreds of allegations, this simple case has been transformed into its present state.”

That present state, Bugliosi says, revolves around a thesis that even though the old reality still exists, “This case now is the most complex murder case, by far, in world history. There’s no other case that even remotely comes close to it.”

A murder case like that, argues Bugliosi, deserves the type of lengthy treatment he gave it. In manuscript form, one of his endnotes in the book—an endnote on acoustics, mind you—clocks in at nearly 100 pages long, with about 50 footnotes. “But you see,” Bugliosi explains, that type of verbosity and thoroughness is not his doing, “That’s what has happened to this case.” His job, in other words, as he saw it, was to answer every possible question he could.

Where does the research end when working on a project of this magnitude?

For Bugliosi, “Where it ended was when my editor at Norton said, ‘Vince, we’re going to press.’ If he hadn’t said that, I’d be working on this book at this very moment. In every other area of life, when all of us work on a project, we know, instinctively, without giving it a second thought, that if we work long and hard enough, we’re going to reach the bottom of the pile. In the Kennedy case, I found out there is no bottom to the pile. It’s endless. It’s a bottomless pit. So when my editor said we were going to press, it ended.”

I’m not going to insult anyone’s intelligence by claiming I’ve managed to get through this 1,612-page book within the past few weeks. But that in and of itself is what makes RECLAIMING HISTORY a modern literary achievement and milestone. Bugliosi took the time to structure the book into thirteen “sections.” With 1.5 million words involved, says Bugliosi, “It’s the equivalent to thirteen volumes.” The way it reads is that you can dive into any section of it and come out of with an understanding of that particular piece of the puzzle. For example, I read the first chapter in Book One, which is about 300 pages. Titled “Four Days in November,” it’s a straightforward narrative of the assassination itself—but unlike anything else I have ever read about the JFK assassination. For one, Bugliosi writes in the present tense.

“Why?” I asked him.

“For immediacy,” he told me.

The chapter is broken down into sections, in which the time of the day headlines each section of the chapter. The present tense narrative pulls the reader into it—beckoning one to feel as if he or she is there while the action takes place. It’s a wonderful change of pace.

Another unique aspect of the book is the narrative itself—particularly, its attention to detail.

“In a Fort Worth hotel bathroom, the president can hear the murmur of the crowd awaiting him eight floors below as he drags a razor across his face,” Bugliosi writes. “In the mirror he looks good. He has to. Americans want their president to be the picture of robust health.” Later, he writes, “The president finishes shaving and begins the arduous task of wrapping himself firmly in his back brace. As slips on his shirt, he decides to have a look at the crowd in the parking lot … he can’t see them where he is, so he tiptoes into his wife’s bedroom. ‘Gosh, look at that crowd!’ he beams.”

One has to wonder where Bugliosi was able to dig up such intimate detail to make his narrative nonfiction scream like a novel. “The record is so thorough and rich,” he told me. So many different people were interviewed, that every single nuance of the Kennedy assassination was documented.

There’s a subset of conspiracy theorists a volume as thick and full of facts as RECLAIMING HISTORY won’t ever sway. No matter what you say, how you prove it, a certain amount of people just won’t budge. I asked Bugliosi about this dynamic and how it has affected what he thinks he’s accomplished with the book.

“Some people,” he said smartly, “are allergic to the truth.”

If you ever wanted to know not only everything there is to know about the assassination of JFK, but even more, like why, for instance, all of those conspiracy theories fall apart on the facts alone, pick up RECLAIMING HISTORY, a book that, in the ensuing years will be the one resource for all JFK researchers—the definitive factual account of a cultural phenomenon, written by a writer whose goal is to explore truth, no matter where it leads.

What I loved about our conversation was that near the end of it Bugliosi said, “When you come down to it, I’m a true crime author. I write true crime.”

Music to this journalist’s ears.

For an excerpt from the book, visit http://www.reclaiminghistory.com/

May 12:

  Vincent Bugliosi's "Reclaiming History" is 1612 pages plus accompanying CD Rom. I will be posting in my "Notes", paragraphs which I believe summarize some of the key arguments on the JFK assassination.

"As we have seen, good minds have differed and will continue to differ on when Kennedy and Connally were hit by a bullet, what precise frame of the Zapruder film Kennedy and Connally 'first' reacted to being hit by a bullet, what the nature of their reactions was, what position Kennedy and Connally were in relation to each other at the time each was first hit, what movements they made that resulted from their being hit, and what overall interpretation should be put on the observations. A year before he died, Governor Connally wrote a letter to Dr. Michael West, that "this dispute [about the single-bullet theory] will go far beyond our time on earth to engage in it'. I would only add this elliptical clause to the governor's words: that is, as long as we try to resolve the dispute by referring to the Zapruder film. For fertile minds and susceptible eyes, the Zapruder film can be, as Winston Churchill once said about the Soviet Union, "a riddle wrapped in a mystery inside an enigma." But the overwhelming evidence is that whenever Kennedy and Connally were hit, or first reacted to being hit, they were both struck by the same bullet."

from Reclaiming History: The Assassination Of President John F. Kennedy by Vincent Bugliosi (W.W. Norton) Page 482.
 

April 30:

 
Kenneth Tynan is one of my long time favorites...maybe if I pass along some of my favorite passages you might catch the "Tynan" fever as well...

"Laurence Olivier at his best is what everyone has always meant by the phrase 'a great actor.' He holds all the cards; and in acting the court cards consist of (a) complete physical relaxation, (b) powerful physical magnetism, (c) commanding eyes that are visible at the back of the gallery, (d) a commanding voice that is audible 'without effort' at the back of the gallery, (e) superb timing, which includes the capacity to make verse swing, (f) 'chutzpah--the untranslatable Jewish word that means cool nerve and outrageous effrontery combined, and (g) the ability to communicate a sense of danger.

from Kenneth Tynan Profiles...Selected and edited by Kathleen Tynan and Ernie Eban with preface by Simon Callow (Harper Perennial)
 

April 23:

Farley Granger devotes several short chapters on Nicholas Ray in his autobiography, Include Me Out (St. Martin's Press). I knew Nick and I welcomed Granger's comments on working with him.
 

April 20:

The following is Roger Corman's formula for making movies...it seemed to have worked!!
 
     1.  spend no money
     2.  play up the basest, most sensationalist angle
     3.  exaggerate wildly in the advertising
     4.  book each film in as many theatres at once as possible to forestall negative word-of-mouth
 from...American Independent Cinema...An Introduction by Yannis Tzioumakis (Rutgers University Press)

April 13:

I've known a couple of people who have ended their own lives. Both planned the opportunity. The following passage describes Ernest Hemingway's suicide...
"Papa may have drunk heavily, been verbally abusive to her, and groped every woman within arm's reach, but Mary knew that once he was gone, she would be in charge. She would be the one to organize his letters and posthumous novels, and eventually get to put in her own two bits with her memoirs, "How It Was". That would be her reward, and when she'd had enough of his depression and threats to kill himself, she cleared the path to his suicide by leaving the keys to his gun rack where she was sure he could get them."
from... Strange Tribe: A Family Memoir by John Hemingway (The Lyons Press)

March 30:

Rarely in life is a common human being taken into confidence and is granted entrance into a secret world known to few...
 
     "This morning, after Besar and Lansdale had left for Ramsey's laboratory, Oppenhemer simply said to Tibbets: 'You had better know everything.'
     Pandora's box was finally being opened for the flier.
     Here at Los Alamos, Oppenheimer began, men were delving into the unknown world, asking such questions as 'what is matter?' and 'how short can a 'short time' be? Here, they spoke of thousands of tons of energy as if energy could be weighted. They talked of a thousandth and then a millionth of a second as they devised ways to reduce time itself almost to nothing. They argued over the relative merits of the gaseous diffusion  and electro-magnetic processes for separating uranium-235 from uranium-238; the U-235 produced could be measured in thimblefuls.
    These men were also discovering the special nature of a chain reaction, and studying the unique problem of critical-mass: how to bring together two lumps of uranium-235 of the right potency to cause an atomic explosion at the right time.
     Oppenheimer reduced the problem to a few words. "Time. That's the problem, Colonel. Getting the timing right. If we are successful in solving that, then your problems will begin.'
     The scientist looked benignly at Tibbets. 'There will probably be problems right up until the moment the bomb explodes.'  Sparing Tibbets the mass of details behind years of research, Oppenheimer explained how they intended to build the uranium bomb. A suitable mechanism had to be devised to bring two hemispheres of uranium-235 into contact quickly so that their combined mass reached the critical point and detonated. The amount of uranium-235 to be used, the size of the two spheres, the speed with which they must collide, the scattering angle, the range of the neutrons by the chain reaction--those, Oppenheimer said, were just some of the questions to be answered."
 
     from...Ruin From The Air: The Enola Gay's Atomic Mission to Hiroshima by Gordon Thomas and Max Morgan Witts (Scarborough House Publishers)

March 23:

When I started booking Talk Radio for the fabulously talented Ed Buggs, right after the Jon Benet Ramsey murder, my first celebrity guest was Joe Pistone (Donnie Brasco). His book and movie were big hits and I was honored to get him on the show! As I write this today Joe's on The Michael Dresser Show this afternoon for his new book...Unfinished Business. Again I'm honored.
In "Unfinished Business", Joe Pistone describes what might have been if his FBI handlers had left him out there a little while longer.
"If a made man was with us he would be introduced in a different way. 'Lefty's a friend of "ours", Lefty could stay, but I would have to go to another table.
When you plant a spy you want him to have access to information. Otherwise, What's the point? As a mere connected guy I could not mingle with made men from other families unless someone like Sonny called ahead of time or unless I was formally introduced and had a made man with me. If I had been a made man I would have had the freedom to go wherever I wanted and hang out with Gambino men under John Gotti; Genovese men under Fat "Tony" Salerno; Colombo men in Brooklyn under Carmine Persico; and Lucchese men under Tony Ducks Corallo."
from... Unfinished Business by Joseph D. Pistone and Charles Brandt (Running Press)

March 17:

I just celebrated my 13th year in recovery and a very instrumental author during the past decade has been Dennis Wholey. His book, The Courage To Change, especially the Elmore Leonard chapter, is a cornerstone of my sobriety foundation. Mr. Wholey's new book reflects some of this...

 

     "At peak tolerance, I was a quart-of-Black-&-White-scotch-and -60-milligrams-of-Valium-a-day addict. Thank God, that nightmare ended more than twenty-five years ago. I write these few lines about me to let you know that even the most self-defeating, harmful, and painful behavior can be stopped and stay stopped.

"Actions really do speak louder than words. They can help us achieve or sabotage our goals, contribute to or damage our health, promote or negate our happiness.

 "Do your behaviors make you feel better or worse about yourself?  Do your actions make you feel positive, happy, and enthusiastic about living? Do they make you feel joyful? Or do your behaviors and actions diminish your sense of well-being, your self-worth, your happiness?

"Faith is the belief in the experience of other people. It's a definition I heard a long time ago, and it's a beginning that works. Other people have lost weight, quit drugs, stopped gambling, left abusive relationships, or stopped being habitually jealous or angry. The world is full of people who have brought about dramatic changes in their lives. They did it--and so can you."Why Do I Keep Doing That?  Breaking the Negative Patterns in Your Life by Dennis Wholey (Health Communications)

February 8:

The current scandals involving the Catholic clergy makes the following quote most timely...

"But, on the other hand, we look like anyone else. We have the same weaknesses as other men, some to the bottle, or a woman, or a dollar, or a desire to be a little higher in the hierarchy of power. Each priest is man with a body of soft clay. To keep that treasure pure, he has to be stretched out on a cross of fire. Our fall can be greater than the fall of anyone else because of the height from which we tumble. Of all the bad men, bad religious men are the worst, because they were called to be closer to Christ." Treasure In Clay...The Autobiography Of Fulton J. Sheen...Doubleday, 1980...page 4.

February 8:

 I have always been fascinated by Stanley Kubrick's "Dr. Strangelove". I know Kubrick devoured everything on the subject of nuclear annihilation. The George C. Scott character of General Buck Turgidson, I have heard, was based on the career of General Curtis Lemay. I ordered Lemay's autobiography off Amazon and discovered the following quote...

"...No matter how you slice it, you're going to kill an awful lot of civilians. Thousands and thousands. But, if you don't destroy the Japanese industry, we're going to have to invade Japan. And how many Americans will be killed in an invasion of Japan? Five hundred thousand seems to be the lowest estimate. Some say a million.
...
We're at war with Japan. We were attacked by Japan. Do you want to kill Japanese, or would you rather have Americans killed?
Mission With Lemay...My Story by General Curtis Lemay with MacKinlay Kantor...Doubleday, 1965...page 352

December 29:

I like to visit used bookstores. A new one opened on Broadway near Bryn Mawr in Chicago. I can't imagine a better way to use time while waiting for an appointment.

As I go through the various sections my thoughts travel with my past life. I pick up Sen. John Glenn's autobiography to see if he mentions his wife's stuttering problem. (I stutter too!) And he does! 3 pages on her special, intense treatment.

On my way out I notice the book that will come with me...Crusade In Europe...Dwight D. Eisenhower's definitive history of World War II. An Avon paperback with a special tag on cover stating...over one million copies sold worldwide! Cover price, $1.25!!!!! 1948.

The book is a gem with stories of FDR, Patton, Bradley, Churchill, Montgomery, etc. 550 pages and I'm still plowing through! A few minutes of browsing as turned into days of thorough enjoyment.

Stop by a used bookstore in your town and tell the owner thanks. I did and always do.

September 14:

The creative peaking of artists has always interested me, especially movie directors such has Frank Capra, Elia Kazan, Billy Wilder and even Alfred Hitchcock. The following is Orson Welles explaining what happened to his pal, John Barrymore's, great career...

...after the supreme performance Barrymore gave at the dress rehearsal of his first "Hamlet", 'the rest of his life' says Welles, 'was anti-climax':
...
There wasn't anything left to do except go on imitating, as accurately as possible that one great evening...the truth is that after that dress rehearsal, Jack began to fear that he couldn't do anything else as good again. I think he was afraid to find out for certain, so he set about destroying himself, as publicly and as entertainingly as possible...he used to tell me that he hated theatre. But he couldn't kid either one of us. We spent hundreds of hours together, planning the production of a dozen plays. And I began to guess that what he hated was the responsibility of his own genius. jack wanted to keep it a secret from both of us.
from Orson Welles: Hello Americans by Simon Callow (Viking) page xvii.

September 11:

Chicago has great used bookstores. I started going to Clifford Schuller's on Montrose & Broadway in the 1950's. Today I regularly go to the Gallery Bookshop under the Belmont 'L' stop run by my very old friend Bill and the Shake, Rattle and Read next to the historic Uptown Theatre and run by my very old friend, Rick. There are others but these two always deliver...always. I find lots of stuff in both places, but the following quote I found in Rick's place..

He could have added a few: if only the Tone's No. 4 plane had gotten off on time, they would have discovered the U.S. fleet before rearming for that second attack on Midway...if only the enemy dive bombers had attacked a few minutes later, Nagumo's own strike would have been launched...if only they had attacked the American carriers right away, as Yamaguchi wanted, instead of holding back until all the planes were ready...
...
There were deeper weaknesses too. In the last analysis the whole Midway plan depended too much on the U.S. fleet reacting exactly the way the Japanese expected. It frittered away Yamamoto's great strength all over the Pacific, instead of concentrating his ships where needed. And finally it reeked of overconfidence--of a dangerous contempt for the enemy--that the Japanese perhaps best described as "victory disease."
...
It would have been so easy to have had a better submarine cordon, a stronger air search, an extra carrier on the scene.
Incredible Victory by Walter Lord (PocketBook, 1968) pages 253-54.

September 4:

In my continuous updates on WWII, I have come across the truly dark chapter of Hitler's grand plan...what he was doing with the POW's. The reader can start with Chapter 27...The New Order...page 1223. Grim is an "up" word in this contest. See: The Rise And Fall Of The Third Reich by William L Shirer, 30th Anniversary Edition (Fawcett Crest PB).

August 20:

Every now and then I run across a personal confession in a memoir that answers many questions on many subjects...the following speaks for itself and I will leave the reader to his own reflections and quiet thoughts:

For had I only wanted to, I could have found out even that Hitler was proclaiming expansion of the Reich to the East; that he was a rank anti-Semite; that he was committed to a system of authoritarian rule; that after attaining power he intended to eliminate democratic procedures and would thereafter yield only to force. Not to have worked that out for myself; not, given my education, to have read books, magazines, and newspapers of various viewpoints; not to have tried to see through the whole apparatus of mystification--was already criminal. At this initial stage my guilt was as grave as, at the end, my work for Hitler. For being in a position to know and nevertheless shunning knowledge creates direct responsibility for the consequences--from the very beginning. Inside The Third Reich: Memoirs by Albert Speer and translated from the German by Richard and Clara Winston with introduction by Eugene Davidson (Bonanza & Macmillan Books) page 19.

August 18:

I have been reading a lot on World War II the past several years and I finally found the definitive day that turned the war around and allowed freedom to move forward. Sept. 15, 1940...a Sunday. I'll let Winston Churchill take it from here...

Although post-war information has shown that the enemy's losses on this day were only fifty-six, September 15 was the crux of the Battle of Britain. That same night our Bomber Command attacked in strength the shipping in the ports from Boulogne to Antwerp. At Antwerp particularly heavy losses were inflicted. On September 17, as we now know, the Fuehrer decided to postpone "Sea Lion" indefinitely. It was not till October 12 that the invasion was formally called off till the following spring. In July, 1941, it was postponed again by Hitler till the spring of 1942, 'by which time the Russian campaign will be completed." This was a vain but an important imaging. On February 13, 1942, Admiral Raeder had his final interview on "Sea Lion" and got Hitler to agree to a complete "stand-down." Thus perished "Operation Sea Lion." And September 15 may stand as the date of its demise. The Second World War: Their Finest Hour by Winston S. Churchill (Houghton Mifflin, 1949) page 337.

August 17:

 After reading the biography of super-actress Patricia Neal, I was struck by the strange case of Dashiell Hammett. The legendary author was sentenced to 10 years and served 6 months in federal prison for contempt of Congress for taking the Fifth Amendment before the House Un-American Committee, while his good friend Lillian Hellman refused to name names and was excused and not charged in Feb. of 1952. For more on this, read Patricia Neal: An Unquiet Life.

August 15:

The New Yorker issue of 7/24/2007 profiles Hollywood's legendary lawyer, Bertram Field and his past association with Hollywood gumshoe, Tony Pellicano. I met TP in the 1970's when I was researching a book, Among The Missing, and he was a private detective working out of Westchester, Ill. I found the following quotes about him most revealing!

"In 1996, Steven Gruel, as an Assistant U.S. Attorney, used Pellicano as an independent expert to authenticate F.B.I. evidence. "He was the best witness I ever had," says Gruel, who last year went into private practice in San Francisco and today is Pellicano's lawyer.
...
He promised clients that he would "make their tormentors 'remember why they're afraid of the dark.'"
...
He came up with stuff that other people didn't. He did that over and over again. He was just better...I don't know how he did it. It certainly wasn't wiretapping.
...
He will not provide the government with that gift. He is not a rat. My loyalty never dies.
...
I know the pressures he had. He would call me and say, 'Can't you get me any work?' His expenses were enormous. It's inexcusable. But I can't be too hard on Anthony Pellicano. This is a guy who did good work for us.
...
More trials are upcoming for TP and his pals... lets all re-rent Chinatown and listen to Faye Dunaway screaming before she was shot to death..."He owns the POLICE!". "

August 14:

 Every now and then a movie scene or a line from a book...stops me cold in my tracks and that unknown thing Hemingway always referred to as "the stuff that makes butterflies fly" rubs against me for a brief second. Nicholas Ray told me of Bogart's speech in Knock On Any Door and Ayn Rand has talked of Gary Cooper's speech in The Fountainhead. I am now going to present some background on another speech, Anthony Hopkin's in Amistad. Get the CD and show it to everyone you know, especially people under 14.

The following quotes are from Lester D. Friedman's Citizen Spielberg (University of Illinois Press) pages 270-283.
"So when I heard the story, I immediately thought that this was something that I would be pretty proud to make, simply to say to my son, "look, this is about you."

I kind of dried it out and it became too much of a history lesson.

My take, and the take that was followed, was that Cinque...saves John Quincy Adams, just as Adams saves him...Cinque freed Adams by getting him to the Supreme Court where he could finally rage against slavery and so carry on the work of his father.

We understand now, we have been made to understand, and to embrace that understanding, that who we are "is" who we were.. We desperately need your strength and wisdom to triumph over our fears, our prejudices, ourselves. Give us the courage to do what is right. And if it means Civil War, then let it come. And when it does, may it be finally the last battle of the American Revolution.

This time, however, the threat arises not from nature or outer space but from the monster inside the human psyche that sanctions the savage treatment of other human beings, ultimately creating a system of inequality, brutality, and death."